time, et. al.

a cautionary tale about love and time travel

A man. A mysterious journal. A steamer trunk. A wormhole. And the girl from 1925 he fell hopelessly in love with.

Big mistake.

Playing as part of the 2008 New York International Fringe Festival.

Archive for July 23rd, 2008

Photos from a recent tablework rehearsal

Gil @ Wednesday, July 23rd, 2008 2:12 pm

Stu playing the part of “in love”.

This is an actual shot from the play where Stu travels in time. There he is, traveling! In time!

Jed makes a joke that the writers wrote and not him, and then congratulates himself for it.

No time, et. al. rehearsal is complete without a union-mandated ice-cream break.

Gotta make actors happy.

Our fearless director doing what she does best: directing the ice cream to contain a minimum of 10% milk fat (about 7 grams (g) of fat per 1/2 cup serving) and 20% total milk solids by weight.

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Irrevocably Disastrous Things

Gil @ Wednesday, July 23rd, 2008 11:48 am

Irrevocably Disastrous thingsOur play centers around three characters: Clara (the time-travel girl), William (the guy who falls in love with her) and Theodore (William’s brother). Late in act two, there’s a moment where the two brothers finally blow up at each other in a scene we like to call “irrevocably disastrous things”. You could refer to it as our “angry” scene, because our two male characters are pretty dang angry. But really, they’re not angry. They’re frustrated. Which is what (theoretically) keeps the scene interesting, and not too one-note.

This Monday, I attended a rehearsal where I got to watch Shannon and the boys play a game with “irrevocably disastrous things”. Stu and Jed did the scene a few times with a less-minced version of the following instructions: one of the characters must be full-on-angry, and the other must be frustrated, but more controlled. If either actor wants to change who is which level of angry, they just do it and the other needs to compensate by changing too.

This is just one of those awesome things for a writer.  Lines you assumed were shouted are spoken through gritted teeth. Lines you assume were spoken through gritted teeth are spoken calmly and coldly. It almost changes the meaning of the scene, and always for the better. And it makes the brotherly rivalry between the two exactly the long-term “I’ve known you my whole life” sort of thing it should be.

Rock, Shannon.  Rock, rock on.

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